|  
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|  
3 
 |  
 
An energetic type of line that catches the movements and gestures of an active figure.  
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|  
7 
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A less intense value of a hue, created by adding gray to the original hue. 
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|  
9 
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A line that defines the outer edge of a silhouette or the line made by the edge of an object. 
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|  
10 
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A lighter value of a hue, created by adding white to the original hue.  
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|  
13 
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The area of an artwork which the eye is directed or the visual focal point of the work.  
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|  
15 
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The distinctive character contained in the artworks of an individual, a group of artists, a period of time, an entire society, or geographical location.  
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|  
17 
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All parallell lines of projection appear to converge and disappear at the vanishing point 
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|  
18 
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A color plus the two hues next to that color’s complement that form a Y on the color wheel are called a(n). 
 |  
  
 
|  
20 
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Dark and light values placed close together are called. 
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|  
21 
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A darker value of a hue, created by adding black or a darker complementary color to the original hue. 
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|  
22 
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A quick line that captures the appearance of an object or the impression of a place.  
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|  
23 
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Combinations of color that can be defined by their positions on the color wheel are called. 
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|  
24 
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In a composition featuring linear perspective, that spot on the horizon toward which parallel lines appear to converge and at which they seem to disappear.  
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|  
26 
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The hues, red, yellow, and blue, from which all other hues are made.  
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|  
30 
 |  
 
The perceived surface quality in an artwork.  
 |  
  
 
|  
31 
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The hues, orange, green, and purple, produced by mixing equal amounts of any two primary colors.  
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|  
33 
 |  
 
A hue is the name of a color, determined by its position where? 
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|  
35 
 |  
 
Any two colors that are opposite each other on the color wheel and when mixed together form a neutral 
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|  
36 
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The six colors that have two word names and are created by mixing a primary and a secondary color on the color wheel.  
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|  
37 
 |  
 
A single hue plus black and white 
 |  
  
 
|  
42 
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A kind of visual texture that does not represent a real texture but creates a sensation of one by repeating lines and shapes in a two-dimensional pattern and is the opposite of simulated texture. 
 |  
  
 
|  
43 
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A principle of design in which the repetition of elements or combination of elements forms a recognizable organization.  
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|  
44 
 |  
 
The complete range of color present in white light.  
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|  
45 
 |  
 
A kind of visual texture that imitates a real texture by using a two-dimensional pattern to create the illusion of a three-dimensional surface and is the opposite of invented texture. 
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|  
 
 |  
  
  
 | 
 
 
 |  
 |  
  
 
|  
1 
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An artist’s representation of a three-dimensional world on a two-dimensional surface.  
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|  
2 
 |  
 
A type of implied line from a figures eyes to a viewed object, directing the attention of the viewer of a design from one part of it to another. 
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|  
4 
 |  
 
The arrangement of elements such as line, value, and form within an artwork. 
 |  
  
 
|  
5 
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Describes anything of lesser importance than the dominant element in an artwork.  
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|  
6 
 |  
 
The actual surface quality of an artwork.  
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|  
8 
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Art that emphasizes design or whose basic character has little visual reference to real or natural things.  
 |  
  
 
|  
11 
 |  
 
A two or three dimensional unit that is repeated to form a pattern. 
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|  
12 
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The strength, brightness, or purity of a color. 
 |  
  
 
|  
13 
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The path that the viewer’s gaze is directed to follow because of the arrangement of the elements in an artwork. 
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|  
14 
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A concept that one primary element attracts more attention than anything else in a composition. 
 |  
  
 
|  
16 
 |  
 
The organization of the parts of a composition such that each side of a vertical axis mirrors the other.  
 |  
  
 
|  
19 
 |  
 
Hues that are next to each other on the color wheel and have a single color in common are called a(n). 
 |  
  
 
|  
25 
 |  
 
A combination of colors that has a relationship and a specific effect. 
 |  
  
 
|  
27 
 |  
 
The organization of the parts of a composition such that each side of a vertical axis are visually equal without being identical. 
 |  
  
 
|  
28 
 |  
 
The sense of oneness or wholeness in a work of art. 
 |  
  
 
|  
29 
 |  
 
An element of design that refers to the lightness or darkness of grays and colors.  
 |  
  
 
|  
32 
 |  
 
The organization of the parts of a composition such that each side of a vertical axis contains similar, but not identical shapes or forms.  
 |  
  
 
|  
34 
 |  
 
Precise, elegant handwriting or lettering done by hand.  
 |  
  
 
|  
38 
 |  
 
A graphic organizer or picture of all the colors in a special order. 
 |  
  
 
|  
39 
 |  
 
A composition that is based on a circle, with a design radiating from a central point has this type of balance. 
 |  
  
 
|  
40 
 |  
 
An artwork’s actual or implied surface quality, such as rough, smooth, or soft.  
 |  
  
 
|  
41 
 |  
 
A principle of design that refers to differences in elements such as color, texture, value, and shape, that as well, add excitement, drama, or interest to a work of art. 
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